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It is an unusual transition from VFX Editor to VFX Producer but in David’s case it was a perfect synergy. Working as a VFX Editor David gain invaluable experienced in previz, postviz, shot design, database management, VFX pipeline and turnovers. His acute attention to details, technical knowledge and resourcefulness has benefited him hugely in the role of VFX Producer. Impressing the Producers so much on the BBC series World on Fire they asked him to step into the role of VFX Producer for VFX Editor. David then went on to be the Associate VFX Producer on A Boy Called Christmas (Blueprint / Netflix) and has not looked back.
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