Search Results

< Back Laura Roderick VFX Producer Transitioning from her roots as an Agency Producer, with an acute eye for detail and extensive knowledge of VFX and post-production; Laura has all the attributes to become a brilliant VFX Producer. Highly skilled at budgeting and planning, with creative and technical flair and a natural ability to navigate political and complex situations with fairness and ease. Laura comes highly recommended and is gaining admiration and building a brilliant name for herself within HETV and film. View CV IMDB

< Back Joseph Hart Green VFX Editor / Assembly Editor Having already established himself as a VFX Editor, Joseph is now re-configuring and developing a career as an Editor. With a couple of credits already under his belt, Joseph is seeking Assembly Editor roles to cultivate his skills and experience in the craft. His meticulous and organised work ethic has made Joseph a popular team player working across film and HETV. With an innate instinct for storytelling and crafting scenes and an ability to analyse footage; we predict a bright future. Hardworking, diligent, and creative – Joseph is an all-round fabulous chap. View CV IMDB Previous Next

Meet the Editor - Fiorella Santaniello Fiorella Santaniello is an emerging editor whose talent shines through her work on film and TV series such as Passenger (ITV) and The Power (Amazon). With a keen eye for detail and a passion for beauty and harmony, Fio has the ability to find clever and creative solutions to complex edits. Q: How did you get into editing? A: During my second year of university in Italy, I started with the classic home videos and became more and more fascinated with the process of creating emotional flow through the connection and juxtaposition of picture and sound. This is why, at the very beginning of my career I was keen to become a Trailer Editor. It was not until I attended Bournemouth University that my interest for storytelling grew and I developed an appreciation for the role that editing has in achieving the best emotional outcome. After receiving my degree with honours, I edited two low budget feature films before moving to London to pursue a career in film and TV. Since 2016, I have worked as an Assistant and Assembly Editor on HETV shows such as Trust, Dracula and Brave New World, while also editing a number of short films. I finally got my break as an Editor in 2022 while working on the TV show The Power (Amazon / Sister Pictures). Following that, I was recommended for another of their shows called Passenger (Sister Pictures), of which I edited three episodes. Q: What were your career aspirations when you were growing up? A: I didn’t grow up having a clear idea of what I wanted to do or be in life. I seemed to have a fairly equal aptitude for all school subjects, with a tangible personal preference for linguistic and humanistic studies. During high school, I developed a strong interest in acting which led me to attend a theatre school for three years. It wasn’t until a bit later that I realised I wanted to be part of the film-making process behind the cameras. However, it took some time to figure out what department would interest me the most and how I could make that aspiration come true. I have always been very passionate about films and TV shows, and I always found the human mind and the psychology of the characters a fascinating topic to explore. It’s no wonder that I watch a lot of true crime documentaries and psychological thrillers. If I wasn’t in the film industry I would probably explore journalism or criminology. Q: What gets you out of bed in the morning? A: Firstly, coffee. There is no reason to get out of bed if not for my morning coffee ritual. On a deeper level, I consider myself a seeker of beauty, harmony and freeform experimentation. This is why my love for the creative arts carries on in other forms, including photography, painting and occasionally pottery wheel throwing. If I had to explore a different field of the film industry, it would most likely be cinematography. I thrive in environments that are exciting, challenging and inspiring and am always looking for new experiences to better myself as a human being. I am an eager traveller, I love discovering new places and understanding the cultures and people behind them. Q: What’s your favourite part of the job? A: I love that editing allows me to portray my own empathy on the screen. By giving my own perspective on the process, making infinite small and big decisions, weighing each cut carefully. I always chase the best dramatic and empathetic results to engage the audience and myself. It is a special and powerful way of bringing people together by telling unique stories, in a world that constantly needs more human connections. Q: What’s your greatest achievement / most important step in your career? A: My greatest achievement so far has been making the jump from assisting to editing. It is an incredibly difficult transition for all prospective Editors to make and I am very proud of how far I’ve come in my career. I’m also incredibly grateful to the supportive people who have helped me along the way. Q: Looking back at all the films/projects you’ve made, what lessons have you learned? A: Every project is different and even if you have a certain set of rules or workflows in place, they all might need a different approach. An important thing to remember is that, despite your contribution being fundamental to the film, it is not “your” film. Editing, like film-making in general, is a collaborative process that requires listening and good communication, being open to trying out ideas that you might not agree with (even if you feel strongly about them). Sometimes you might be certain that an idea will not work but the truth is that you won’t know for sure until you try. Always be open to different points of view, be patient and politically neutral, while also finding ways to show your own passion for the project. Do not hide your real opinions just to please someone and don’t use every option just because it is there or because of the time that it took to “get that crane shot”. It is important to stay unbiased about the conditions in which rushes were filmed and always make emotion a priority. Q: Most valuable skill? A: I think my most valuable skill is being both fast and reliable. This is not to say that I rush the process at all, but that I have a good eye for assessing what will work and what won’t. I will always watch all the rushes but if I am required to make a quick edit to reassure the Director that they have everything, I will do a very good job in a short time. I will then go back to the scene to re-evaluate the cut, make sure I have used the best takes and explore other options if needed. I am also able to effectively evaluate the footage and re-invent a scene from scratch. Q: Favourite project? A: My favourite project to work on was Trust (Cloud 8 Films / FX). It was the first HETV job where I was able to prove myself and was quickly promoted from 2nd to 1st Assistant Editor within two months of starting. It was a project which challenged me and made me realise how capable I am in a cutting room, how I could support a number of Editors and see the show through to the very end. Trust taught me you don’t really know what you are capable of until you take a risk and step up your game. Q: Favourite memory of working on The Power? A: The people. I love creating the edit but the part that I prefer about any job is the people I get to work with. The team on The Power (Amazon / Sister Pictures) specifically was one of the best teams I ever worked with and it became a family very quickly. Being on the project for three years, we had a lot of team socials and I cherish those memories dearly, particularly crazy-golf and karaoke nights. Q: What’s your next project? A: I will be working on another TV show for Sister Pictures from April 2024 and then looking for my next challenge. It’s been a slow year for the industry but there looks like some interesting projects on the horizon. Q: What are your future goals? A: I would like to keep progressing in HETV productions but I would enjoy taking on indie films as well. I would love to work on a well produced psychological thriller or true crime drama.

< Back Jorge Cañada Escorihuela VFX Supervisor & VFX Consultant Highly skilled at recognising visual potentialities and communicating creative, innovative and well considered best solutions. Jorge has forged an imaginative, dynamic and diverse profile including his on-set work on The Crown, supervising the sci-fi series The OA and consulting on Ridley Scott’s Napoleon. Fearless of creative challenges Jorge showcased his incredible skills supervising and producing the surreal ‘Hero Beau Sequence’ on Ari Aster’s Beau is Afraid. Collaborative, dedicated, diplomatic; Jorge ensures the creative vision is achieved. View CV IMDB Previous Next

VFX S UPE R VISORS Alexandre Prod'homme VFX Supervisor - MUTINY (Lionsgate) - THE PENGUIN (HBO) - TIMESTALKER (BFI) - THE NEVERS S01B (HBO) Read More Andrew Lim VFX Supervisor - PENNYWORTH S3 (Warner Bros. / HBO) - BILLIONS S6 (Showtime) - MAYDAY (Magnolia Pictures) - ZOLA (A24) Read More Barney Curnow VFX Supervisor - TRUE DETECTIVE: NIGHT COUNTRY (HBO) - AVENUE 5 S1 & S2 (HBO) - OUTSIDE THE WIRE (Netflix) - BRITANNIA S2 (Sky) Read More Dave Houghton VFX Supervisor - DOCTOR WHO S14 & S15 (Disney / Bad Wolf) - BATGIRL (Warner Bros.) - FATE: THE WINX SAGA S2 (Netflix) - GOOD OMENS 2 (Amazon) Read More Doug Larmour VFX Supervisor - CONSTELLATION (Apple TV+) - HOUSE OF THE DRAGON (HBO ) - WHEEL OF TIME S1 (Amazon) - THE ALIENIST: ANGEL OF DARKNESS (TNT) Read More Eve Bolotova VFX On-Set PA & Junior Data Wrangler - CHICKEN RUN: DAWN OF THE NUGGET (Aardman Animations) - AMONG THE SHADOWS (Nomenclature Film) - TO KNOW HIM (Pencil Trick Productions) Read More James Mac VFX Supervisor - HAVEN GREEN (Netflix / Broke and Bones) - TED LASSO S2 & S3 (Apple TV+) - WICKED SCIENCE S2 (ABC) - AUDI (Mill+) Read More Jean Louis-Autret VFX Supervisor - ERIC (Netflix / Sister Pictures) - LE REGNE ANIMAL (Nord-Ouest Films) - AROUND THE WORLD IN 80 DAYS (BBC) - UNE ILE (Arte) Read More Jorge Cañada Escorihuela VFX Supervisor - ARGYLLE (AppleTV+) - BEAU IS AFRAID (A24) - THE CROWN S1 & S4 (Netflix) - THE VIRTUES S1 (Warp Film) Read More Neil Riley VFX Supervisor - KAOS (Sister Pictures / Netflix) - DISCOVERY OF WITCHES - S3 (Sky TV) - BLACK MIRROR S2 S4 S5 (Netflix) - DIARY OF ANNE FRANK (Netflix) Read More Oliver Cubbage VFX Supervisor - WE WERE THE LUCKY ONES (20th Century Studios) - FIRST ASCENT (20th Century Studios) - THREE PINES S1 (Amazon) - THE MIDNIGHT SKY (Netflix) Read More Sean Farrow VFX Supervisor & Consultant - G20 (Amazon) - ANANSI BOYS (Amazon) - BEAUTY & THE BEAST (ABC) - SHANTARAM (Paramount TV) Read More Simon Frame VFX Supervisor & Producer - ATOMIC BAZAAR (Pulse Films / Sky) - AVENUE 5 S1 (HBO) - THE WARRIOR QUEEN OF JHANSI (Cayenne Pepper Productions) - BRITANNIA (Sky) Read More Stephen Coren VFX Supervisor - THE RIG S1 & S2 (Amazon) - A DISCOVERY OF WITCHES S2 (Sky) - MORTAL (42) - REDEMPTION (Lionsgate) Read More Taylor Tulip-Close VFX Supervisor - SUPACELL (Netflix) - THE PENTAVERATE S1 (Netflix) - THE LAST BUS (Netflix) - THE AERONAUTS (Amazon) Read More Theo Demiris VFX Supervisor - THE IMMORTAL MAN (Netflix) - BLITZ (Apple+) - THE MOTHERSHIP (Netflix) - MUNICH: THE EDGE OF WAR (Netflix) Read More

VFX PR ODUCER S Anne Akande VFX Producer - DOCTOR WHO S2 (Bad Wolf / Disney) - RENEGADE NELL (Disney) - HAVOC (Netflix) - HOUSE OF THE DRAGON (HBO) Read More Alex Belgeonne VFX Producer & Consultant - THE DAY OF THE JACKAL (Sky / Carnival Films) - DAMSEL (Netflix) - CITADEL S1 (Amazon) - NO TIME TO DIE (Eon) Read More Jakub Chilczuk VFX Producer & Consultant - HEADS OF STATE (Amazon) - THE LOST SHTETL MUSEUM (Katahdin Foundation) - RED, WHITE & ROYAL BLUE (Amazon) - CONSTELLATION (AppleTV+) Read More Kaley Edwards VFX Producer - WARFARE (DNA Films / A24) - SCOOP (Netflix) - A QUIET PLACE: DAY ONE (Paramount Pictures) - NAPOLEON (AppleTV+) Read More Richard Elson Jr VFX Producer - FOUNTAIN OF YOUTH (Skydance) (Sr VFX Coordinator) - NAUTILUS (Disney+) - GANGS OF LONDON S2 (Sky / Pulse) - POIROT (ITV - Editor) Read More Reece Ewing VFX Producer - LARKIN (60Forty Films / AppleTV+) - SIGNAL (60Forty Films / AppleTV+) - THE CROWN S3-S6 (Netflix) - TELL TALE (Scott Free Productions) Read More Wendy Garfinkle VFX Producer - THE UNION (Netflix) - THE NORTHMAN (New Regency) - THE FRENCH DISPATCH (Searchlight Pictures) - POWER PROJECT (Netflix) Read More Gin Godden VFX Producer - THE RATS: A WITCHERS TALE (Netflix) - LOCKED IN (Netflix - VFX Consultant) - GREAT EXPECTATIONS (Scott Free Productions) - CULPRITS (Disney+) Read More Jan Guilfoyle VFX Producer - TRUE DETECTIVE: NIGHT COUNTRY (HBO) - AVENUE 5 S2 (HBO) - THE SANDMAN (DC Comics) - THE WHEEL OF TIME (Amazon Studios) Read More Glenn Kelly VFX Producer - INTERVIEW WITH THE VAMPIRE S2 (AMC) - SQUID GAME: THE CHALLENGE (Netflix) - DANCE MONSTERS (Netflix) - UNRELEASED PROJECT (Disney) Read More Jimmy Knowles VFX Producer - THE BUCCANEERS S1 & S2 (The Forge Ent. / Apple TV+) - THE RIG S1 (Amazon) - THE MARVELS (Marvel) - THE LETTER FOR THE KING S1 (Netflix) Read More Ashley Mayse VFX Producer & Co-Producer - THE FORSYTE SAGA (Mammoth Screen) - GOOD OMENS S2 (Amazon) - ANANSI BOYS (Amazon) - FEAR THE WALKING DEAD (AMC) Read More Victoria McDowell VFX Producer - THE WITCHER S4 & S5 (Netflix) - HEART OF STONE (Netflix) - FOUNDATION S1 (Skydance TV) - MORBIUS (Marvel) Read More Alex Reinach VFX Producer - THE AMATEUR (20th Century Studios) - THE SANDMAN S1 (Netflix / Warner Bros) - THE DARK CRYSTAL: AGE OF RESISTANCE S1 (Netflix) - JACK RYAN S1 (Amazon) Read More Lisa Renney VFX Producer - IMMORTAL MAN (Netflix) - NOSFERATU (Focus Features) - THE MAN WHO FELL TO EARTH (CBS Studios) - THE NORTHMAN (New Regency) Read More Carrie Rishel VFX Producer - FAMILY PLAN 2 (Skydance) - YOUNG WOMAN AND THE SEA (Disney) - ARCHIVE (Independent) - HOW TO BUILD A GIRL (Film 4) Read More Becky Roberts VFX Producer - DISCLAIMER (Apple TV+) - HOUSE OF THE DRAGON S1(HBO) - LOCKWOOD & CO (Netflix) - THE IRREGULARS (Netflix) Read More Michelle Rose VFX Producer - THE PENGUIN (HBO Max) - CIVIL WAR (DNA Films) - OUTLANDER S4-S6 (Starz) - TETRIS (AppleTV+ / MarvTV) Read More Laura Roderick VFX Producer - THE CHOICE (Netflix - VFX Consultant) - SEVEN DIALS (Netflix) - SUPACELL (Netflix) Read More David Stephens VFX Producer - THE WITCHER S3 - S4 (Netflix) - FATE: WINX SAGA S2 (Netflix) - A BOY CALLED CHRISTMAS (Blueprint Pictures) - WORLD ON FIRE (Mammoth Screens) Read More Matthew Sullivan VFX Producer - WORLD ON FIRE S2 (BBC) - ANANSI BOYS (Amazon) - SMALL TOWN, BIG STORY (NBC) - KNEECAP (BFI) Read More Samantha Townend VFX Producer - I AM NOT AN EASY MAN (Netflix) - MEN (FX / BBC) - BLACK NARCISSUS (FX / BBC) - DEVS S1 (FX / BBC) Read More Roma O'Connor VFX Producer - FOUNTAIN OF YOUTH (Skydance) - FOUNDATION S2 (Skydance) - JINGLE JANGLE (Netflix) - DOLITTLE (Universal) Read More Emma Watterson VFX Producer - THE AGENCY (101 Studios / Paramount+) - CLEANER (Anton) - SEX EDUCATION S4 (Netflix) - THE CREATOR (New Regency) Read More Mark Wellband VFX Producer - THE RIG S1 & S2 (Amazon) - BARBARIANS (Gaumont) - THE EXCHANGE (Elevation Pictures) - THE POWER (Air Street Films) Read More Fiona Stuart-Clark Jr VFX Producer / VFX PM - YOUNG WOMAN & THE SEA (Disney+) - THE RIG S1 & S2 (Amazon) - CAPTAIN MARVEL 2 (Marvel Studios) - THE IRREGULARS S1 (Netflix) Read More

CO -P RODUCERS Ashley Mayse Co Producer / VFX Producer - ANANSI BOYS S1 (Amazon) - GOOD OMENS S2 (Amazon) Read More Basia Lalik Co Producer / Post Producer - THE AGENCY (Paramount+ / 101 Studios) - THE REGIME (HBO) - HIS DARK MATERIALS S3 (HBO / BBC) - HIS DARK MATERIALS S2 (HBO / BBC) Read More Clare Buxton Co Producer / Post Producer - THE LORD OF THE RINGS: THE RINGS OF POWER S2 (Amazon) Read More Cory McCrum Co Producer / Post Producer / Consultant - THE DAY OF THE JACKAL (Sky) (Post Producer) - PENNYWORTH S2/S3 (HBO) - HOT AIR S2 (Epix / Warner Bros) - ALEX STRANGELOVE (Netflix) Read More Karen Paye Co Producer / Post Producer / Consultant - A GENTLEMAN IN MOSCOW (Eone) - THE LORD OF THE RINGS: THE RINGS OF POWER S2 (Amazon) - THE NEVERS S1B (HBO) - THE GREAT S1 (Hulu) Read More

POST PRODUCERS Basia Lalik Co / Post Producer - THE AGENCY (Paramount+ / 101 Studios) - THE REGIME (HBO) - HIS DARK MATERIALS S2 & S3 (HBO) - BIG LITTLE LIES S2 (HBO) Read More Clare Buxton Co / Post Producer - THE LORD OF THE RINGS: THE RINGS OF POWER S2 (Amazon Studios) - THE BABY (HBO) - CURSED (Netflix) - ORIGIN (Left Bank Pictures) Read More Cory McCrum Co / Post Producer / Consultant - THE DAY OF THE JACKAL (Sky) - PENNYWORTH S2/S3 (HBO) - HOT AIR S2 (Warner Bros.) - ALEX STRANGELOVE (Netflix) Read More Karen Payne Co / Post Producer / Consultant / Post Production Executive - THE AGENCY (Paramount+ / 101 Studios) - THE FIXER (Paramount+ / 101 Studios) - A GENTLEMAN IN MOSCOW (Eone) - THE LORD OF THE RINGS: THE RINGS OF POWER S2 (Amazon) Read More Lucy Fowler Sr Post Production Supervisor / Jr Post Producer - THE WHEEL OF TIME S1 & S2 (Amazon Studios) - OUTLANDER S4 & S5 (Starz) - THE CRY (BBC) Read More

VFX PRO D UCTION MAN A GERS & SUPE R VISORS Atem Kuol VFX Coordinator - HEADS OF STATE (Amazon) - COYOTE V. ACME (Warner Bros.) - LOKI S2 (Marvel / Disney+) - WILLOW (Lucasfilm) Read More Fiona Stuart-Clark VFX Production Manager - YOUNG WOMAN & THE SEA (Disney+) - THE RIG S1 & S2 (Amazon) - THE MARVELS (Marvel) - THE IRREGULARS (Netflix) Read More Jimmy Knowles Jr VFX Producer / VFX Production Supervisor - THE BUCCANEERS S1 & S2 (The Forge Entertainment / Apple+) - THE RIG S1 (Amazon) - THE LETTER FOR THE KING S1 (Netflix) Read More Kath Smith VFX Production Manager - OUR MAN FROM JERSEY (Netfix) - THIRTEEN LIVES (MGM) - PENNYWORTH S2 (Epix) - NEWS OF THE WORLD (Universal) Read More

VFX C O NSUL T ANTS Alex Belgeonne VFX Producer & VFX Consultant - THE DAY OF THE JACKAL (Sky) - DAMSEL (Netflix) - CITADEL S1 (Amazon) - NO TIME TO DIE (EON) Read More Earle Stuart Callender VFX Bidding Producer & VFX Consultant - GOOD OMENS S3 (Amazon) - MORBIUS (Marvel) - THE MATRIX RESURRECTIONS (Warner Bros) - THE ELECTRICAL LIFE OF LOUIS WAIN (Amazon) Read More Jakub Chilczuk VFX Producer & VFX Consultant - THE WAR BETWEEN (Bad Wolf) - THE LOST SHTETL MUSEUM (Katahdin Productions) - CONSTELLATION (Apple+) - THE WHEEL OF TIME (Sony Pictures Television) Read More Jorge Cañada Escorihuela VFX Supervisor & VFX Consultant - NAPOLEON (Apple+) - BEAU IS AFRAID (A24) - THE CROWN S1 & S4 (Netflix) - THE VIRTUES S1 (Warp Films) Read More Sean Farrow VFX Supervisor & VFX Consultant - G20 (Amazon) - ANANSI BOYS (Amazon) - BEAUTY & THE BEAST (ABC) - SHANTARAM (Paramount TV) Read More