0769d6eb-2fe5-4136-8881-121e9a9f9a02 < Back Dominic P.Grant Post Producer / Post Production Supervisor Charismatic, hard-working, pragmatic, and fabulous. Getting his break with MARV Films in 2012 as a Production Intern. Dominic has worked his way up the ranks within the post department, gaining invaluable skill and knowledge on blockbuster films, and US steamers. Popular with industry peers and with solid relationships within post houses, Dominic is a rising star with a bright future. View CV IMDB Previous Next

f4c5bc1f-819d-439b-b018-ae2338c53073 < Back Michael Freedman Editor & VFX Editor Michael is a diverse and hugely talented Editor. From editing low budget films, previs, performance capture and VFX, he brings a wealth of experience, technical know-how and versatility to the table. A keen collaborator, with a sharp eye for detail, he is a brilliant Editor with a bright future. Ambitious, meticulous, hardworking and an all-round fabulous chap. View CV IMDB Previous Next

ece62921-e2a4-4da2-bd63-869b1de74819 < Back Zoë Rinaldi Jr VFX Production Manager / VFX Coordinator Ambitious, proactive and highly organised, Zoë is a brilliant Production Manager in the making. Having worked both client and vendor side on major VFX studio projects, she has developed a strong understanding of production workflows, budgets and logistics, supporting complex film and television productions from prep through to final delivery. Zoë thrives in fast-paced creative environments where adaptability, initiative and problem-solving are essential. With a passion for continuous development and a natural ability to anticipate challenges, Zoë is resourceful, dependable and a true team player. Highly organised, whip-smart, energetic and driven, she combines excellent communication skills with professionalism, enthusiasm and a genuine commitment to delivering outstanding results - she has all the qualities to go far. (Fluent in English, Italian and Spanish, and a dual EU and UK passport holder with a valid USA I-VISA till 2028) View CV IMDB Previous Next

093a0807-96c5-49a0-a3b4-2bdbc68b1cee < Back Jonathan Privett VFX Supervisor With decades of experience, Jonathan is a highly creative, technical, pragmatic and brilliant VFX Supervisor. Innovative and a smart thinker, JP is expert at finding workable resourceful solutions, maximising every penny of the budget. Always happy to roll up his sleeves, JP is collaborative and practised at navigating complex creative challenges and politics. Hard working, enthusiastic, humorous and an all-round fabulous chap. Working for 7 years at ILM and 5 years at DNEG TV both supervising and being instrumental in setting up the Streaming/TV divisions at both companies; we expect a brilliant freelance future for this incredible talent. View CV IMDB Previous Next

f7af615a-5788-4325-84e5-f4c0db5f10e0 < Back Andy Hague Editor / VFX Editor A highly experienced VFX Editor and emerging Editor, Andy is creative, technical, versatile and a brilliant talent. With credits spanning HETV, documentaries, and film, he has built a first-class reputation. With a calm, solution focused approach, Andy consistently demonstrates an ability to marry technical precision with a strong telling instinct. We predict a bright future. View CV IMDB Previous Next

60bb968c-0870-4092-8ce9-5b336575b205 < Back Jorge Cañada Escorihuela VFX Supervisor & VFX Consultant Highly skilled at recognising visual potentialities and communicating creative, innovative and well considered best solutions. Jorge has forged an imaginative, dynamic and diverse profile including his on-set work on The Crown, supervising the sci-fi series The OA and consulting on Ridley Scott’s Napoleon. Fearless of creative challenges Jorge showcased his incredible skills supervising and producing the surreal ‘Hero Beau Sequence’ on Ari Aster’s Beau is Afraid. Collaborative, dedicated, diplomatic; Jorge ensures the creative vision is achieved. View CV IMDB Previous Next

An increasing demand for VFX in film, TV and commercials has created a global shortage of people with the right skills and industry experience, it is our mission to inspire the next generation of VFX talent to create a strong VFX & post workforce of the future. Scheme "An increasing demand for VFX in film and TV has created a global shortage of people with the right skills and industry experience, it is our mission to inspire the next generation of talent to create a strong VFX & post workforce of the future. "We will invest in the next generation by developing an initiative to grow and develop their skills to ensure they’re equipped to handle the ever evolving industry challenges. We will support, mentor, guide and give young talent real industry opportunities and experience. " We are reviewing your applications Successful Candidates will be shown here WALLACE & GROMIT: VENGEANCE MOST FOWL - AARDMAN ANIMATIONS CHICKEN RUN: DAWN OF THE NUGGET - AARDMAN ANIMATIONS AMONG THE SHADOWS - NOMENCLATURE FILM E VE B O LOTOVA view work Y O UNG WOMAN & THE SEA - DISNEY+ THE RIG S1 & 2 - AMAZON THE MARVELS - M ARVEL THE IRREGULARS - NETFLIX F IONA S T UART CL A RK view work THE UNION - NETFLIX THIRTEEN LIVES - MGM PENNYWORTH S2 - EPIX NEWS OF THE WORLD - UNIVERSAL K ATH S M ITH view work GHOSTBUSTERS: FROZEN EMPIRE - S ONY PICTURES FATE: THE WINX SAGA S2 - NETFLIX THE RATS: A WITCHERS TALE - N ETFLIX ANANSI BOYS - AMAZON M ONIKA C H OWDHARY K U CZYNSKI view work HEADS OF STATE - AMAZON COYOTE V. ACME - W ARNER BROS. LOKI S2 - MARVEL / DISNEY+ WILLOW - LUCASFILM A TEM K U OL view work THE WITCHER S4 - NETFLIX ENOLA HOLMES 1 & 2 - NETFLIX DAMSEL - NETFLIX THE WITCHER S3 - N ETFLIX THE LAST DUEL - W ALT DISNEY G ARRY D A VID FR O ST view work THE AMATEUR - 20TH CENTURY STUDIOS TOXIC TOWN - N ETFLIX THE CROWN S4-6 - N ETFLIX THE MATRIX RESURRECTIONS - WARNER BROS. E LENA P A GLIEI view work ABOUT THE FUTURES SCHEME (we are not accepting applications at the moment) The VFX & Post Talent Agency are proud to announce the launch of ‘‘Futures’, an initiative to help emerging VFX and post stars get onto the next rung of the career ladder. The Agency is looking for talent from VFX and post production backgrounds, who either want to transfer their skills production side or step-up from their current role. Candidates must be UK based with a couple of credits under their belt and lots of ambition. Each member of Futures will be offered representation, mentoring, career guidance, support, CV refinement, PR and active promotion. They will be listed on the website, be given salary and negotiation advice and be invited to all VPTA networking events. We are looking for either in-house of production side: VFX Coordinators, VFX Line Producers, VFX Production Managers, VFX Producer, VFX PA, VFX Editors, Data Wranglers, VFX Supervisors, Post Production Coordinators, Post Production Supervisors, Post PA. Please note we do not represent Digital Artists, Colour Graders, Post Technicians.

c55fbadb-e15f-41f3-be99-13435fe74f25 < Back Earle Stuart Callender VFX Bidding Producer, VFX Producer & VFX Consultant With over 2 decades of experience working in business development and as an In-house VFX Producer, Earle is a brilliant VFX Consultant. He worked for many years as the Bidding Producer at the hugely creative facility One of Us winning many exciting and lucrative contracts. Earle understands the nuances and intricacies of filmmaking and VFX sequence design, and has encyclopaedic knowledge of shot costs, international budgets, and workflow schedules. Creative, calm, pragmatic and with huge integrity Earle is a fabulous asset and can help studios and production companies with every aspect of budgeting, schedule, and planning. View CV IMDB Previous Next

The VFX and Post Talent Agency is proud to represent these talented Editors. Editors Andy Hague Editor / VFX Editor - PREHISTORIC PLANET: ICE AGE (Apple TV+) - PREHISTORIC PLANET S1 & S2 (Apple TV+) - BRAKES (Solution 3 Productions) - THE AGENCY S2 (101 Studios) Read More Clara Hargreaves Editor / VFX Editor - LADIES FIRST (Netflix) - 28 YEARS LATER: THE BONE TEMPLE (Sony) - HEDDA (Amazon MGM) - EVERYTHING NOW (Netflix) Read More Fiorella Santaniello Editor - HOUSE OF GUINESS (Netflix) - THE SPLIT: BARCELONA (Sister Pictures) - PASSENGER S1 (ITV / Sister Pictures) - THE POWER S1 (Amazon) Read More James Barham Editor / Additional Editor - SUPACELL S2 & S1 (Netflix) - THE AGENCY S2 & S1 (Paramount+) - MOBLAND (Paramount+) - BANISHED (BBC) - ANDOR (Lucasfilm) Read More Jim Page Editor - MATRIARCH (Disney+) - SILVERPOINT - S2 (BBC) - BOARDERS - S1 (Studio Lambert) - MURDER IN PROVENCE (ITV) Read More Michael Freedman Editor / VFX Editor - DOWN CEMETERY ROAD (60Forty Films) (VFX Editor) - AFTERBURN (Black Bear) - THE QUIET HOUR (Frenzy Films) - SUPACELL (Netflix) Read More Nathan Summerfield Editor - THE FAITHFUL (Fox Entertainment) - HIGH WIRE (Silent D Production) - BREAKING POINT (Sky) - GANGS OF LONDON S2 (Sky) Read More Paula Anhesini Editor / Assembly Editor - GEEK GIRL S2 (Netflix) - LADIES FIRST (Netflix) - WONKA (Warner Bros.) Assembly Editor - JINGLE HELLZ (Epicum Entertainment) Read More Phil Eldridge Editor / VFX Editor - THE GREAT BEYOND (Warner Bros.) - THE SHEEP DETECTIVES (Working Title / Amazon) - THE LITTLE MERMAID (Disney) - FAST & FURIOUS: HOBBS & SHAW (Universal Pictures) Read More Rob Duffield Editor - DAY OF THE JACKAL S2 (Sky - 1st AE) - XELTER (Head Gear Films) - THE JETTY (BBC) - WILDERNESS (Amazon) Read More

806f81fd-e90e-4308-9906-45b6cdef3887 < Back Basia Lalik Co / Post Producer Having established herself as a brilliant and highly organised Post Production Supervisor, Basia stepped up to the role of Associate Producer on S2 of Big Little Lies. Staying in the HBO fold she advanced to Co-Producer for S2 and S3 for the multi award winning series His Dark Materials. Basia is methodical, calm, pragmatic, incredibly hard working and has a vast understanding of post production. Working up the ranks on an incredible array of film and HETV, Basia has worked with some of the best teams globally, utilising cutting edge technology to cater for the ever-evolving post demands. View CV IMDB Previous Next