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< Back Victoria McDowell VFX Producer Starting her career as an in-house PA at the (fabulously named) VFX facility Men-from-Mars, Victoria escalated the ranks and leaving the company as a VFX Producer to go production side as VFX Coordinator. Earning her stripes working on multiple VFX blockbusters as the VFX Production Manager / Supervisor, she finally got her break to VFX Producer on Rogue One: A Star Wars Story. Victoria is a phenomenal talent -calm, pragmatic, technical and whip smart. View CV IMDB

POST PRODUCERS Basia Lalik Co / Post Producer - THE REGIME (HBO) - HIS DARK MATERIALS S2 & S3 (HBO) - BIG LITTLE LIES S2 (HBO) - IRMA VEP (HBO) (Consultant) Read More Clare Buxton Co / Post Producer - THE LORD OF THE RINGS: THE RINGS OF POWER S2 (Amazon Studios) - THE BABY (HBO) - CURSED (Netflix) - ORIGIN (Left Bank Pictures) Read More Cory McCrum Co / Post Producer / Consultant - THE DAY OF THE JACKAL (Sky) - PENNYWORTH S2/S3 (HBO) - HOT AIR S2 (Warner Bros.) - ALEX STRANGELOVE (Netflix) Read More Karen Payne Co / Post Producer / Consultant / Post Production Executive - THE AGENCY (Paramount+ / 101 Studios) - A GENTLEMAN IN MOSCOW (Eone) - THE LORD OF THE RINGS: THE RINGS OF POWER S2 (Amazon) - THE NEVERS S1B (HBO) Read More Rachael Ellis Post Producer / Post Production Executive - THE LORD OF THE RINGS: THE RINGS OF POWER S2 (Amazon Studios)(Associate Post Producer) -SLOW HORSES S1-3 (AppleTV+) - BAD SISTERS (AppleTV+) - PREHISTORIC PLANET S1,2 (AppleTV+) Read More

< Back Theo Demiris VFX Supervisor With an incredible, creative eye for detail, a calm disposition and excellent technical ability Theo is a brilliant and charismatic VFX Supervisor. His ability to connect and understand the filmmakers’ vision is second to none which is only enhanced by his creative flare. With a background in CG and FX, Theo understands the nuance and subtleties required to make VFX look stunning, which (for me) was demonstrated beautifully in Matteo Garrone’s stunning portrayal of Pinocchio (Hanway Films). View CV IMDB Previous Next

VFX EDITO RS Billy Campbell VFX Editor - SILO S2 (AppleTV+) - HIS DARK MATERIALS S3 (HBO) - THE LAST DUEL (Walt Disney) - NO TIME TO DIE (MGM / EON) Read More Christopher Wilson VFX Editor - THE LOST BUS (AppleTV+) - SCOOP (Netflix) - RISE OF THE WITCHES (MBC Studios) - LIAISON (Apple TV+) Read More Dan McIntosh VFX Editor - THE LORD OF THE RINGS: THE RINGS OF POWER S2 (Amazon) - ROALD DAHL'S MATILDA THE MUSICAL (Netflix) - GODMOTHERED (Disney+) - ALIEN: COVENANT - (2Oth Century Fox) Read More Joseph Hart Green Assembly Editor & VFX Editor - THE BUCCANEERS S1 & S2 (AppleTV+) - THE RATS: A WITCHERS TALE (Netflix) - SILO (AppleTV+) - TAILSPIN (AppleTV+) Read More Michael Freedman Editor & VFX Editor - AFTERBURN (Black Bear) - SUPACELL (Netflix) - FATE: THE WINX SAGA S1 & S2 (Netflix) - DISENCHANTED (Walt Disney) Read More Sascha Dhillon VFX Editor - 28 YEARS LATER (Sony / DNA Films) - THE REGIME (HBO) - CULPRITS (Disney+) - PISTOL (Disney / FX Network) Read More Tina Richardson Smith VFX Editor - UNTITLED GUY RITCHIE PROJECT (Green Gold Productions) - THE MINISTRY OF UNGENTLEMANLY WARFARE (Lions Gate Films) - THE UNION (New Regency) - THIRTEEN LIVES (MGM) Read More

< Back Basia Lalik Co / Post Producer Having established herself as a brilliant and highly organised Post Production Supervisor, Basia stepped up to the role of Associate Producer on S2 of Big Little Lies. Staying in the HBO fold she advanced to Co-Producer for S2 and S3 for the multi award winning series His Dark Materials. Basia is methodical, calm, pragmatic, incredibly hard working and has a vast understanding of post production. Working up the ranks on an incredible array of film and HETV, Basia has worked with some of the best teams globally, utilising cutting edge technology to cater for the ever-evolving post demands. View CV IMDB Previous Next

< Back Jimmy Knowles Jr VFX Producer / VFX Production Supervisor With a Bachelor of Law, and a Bachelor of Arts Degree under his belt Jimmy’s academic training is a perfect foundation to becoming a brilliant VFX Producer. Starting his VFX career as a PA at Weta Digital his fast learning and can-do attitude enabled him to hone his skills and learn from the world's VFX elite. Moving to the UK in 2018 to work in-house at DNEG, within a year he was asked to join the Netflix series A Letter for the King as the VFX Coordinator thus starting his production side career. Charismatic, hard working, smart and a team player - we predict a very bright future. View CV IMDB Previous Next

< Back Sascha Dhillon VFX Editor Working as both an Editor and VFX Editor, Sascha has accumulated an impressive and diverse list of credits. He's a highly skilled and dedicated professional, who possesses a keen eye for detail and an acute instinct for storytelling. Sascha excels at solving complex editorial problems with creative solutions while maintaining an organised and efficient workflow. His positive and collaborative attitude makes him an essential asset to every post-production team he works with. View CV IMDB Previous Next

< Back Fio Santaniello Editor Fio is understated, eloquent, with an exceptional ability to find clever and creative solutions to complex edits. Hard working, patient, passionate and completely fabulous Fio is an inspirational emerging Editor. Rehired multiple times, Fio is building an incredible reputation with a bright future ahead of her. View CV IMDB Previous Next

The only boutique agency that exclusively represents VFX & Post Production HoD’s and crew across film and high-end TV. As the demand for experienced, technical and creative talent continues to grow our mission is to navigate, nurture and manage careers whilst supplying world-class talent and supporting the next generation. It is our intention to grow and develop our ‘Futures Scheme’ so that’s we can support, mentor and guide the future VFX and post production experts. ​ The Agency is now providing a VFX and post-production consultancy service across film and HETV. Offering expert VFX and post guidance, delivering best practice breakdowns, budgets, schedules, troubleshooting ideas and suggesting methodology solutions. Producers and production companies will be better able to provide studios and networks with realistic budgets, schedules for development projects seeking a greenlight. Talent is also on-hand for ad-hoc industry support and guidance in whatever form that might take. Meet the Talent

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